BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//EuroSEAS 2022//EN
X-WR-CALNAME:EuroSEAS 2022
BEGIN:VTIMEZONE
TZID:Europe/Paris
X-LIC-LOCATION:Europe/Paris
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
DTSTART:19700329T020000
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
DTSTART:19701025T030000
RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTAMP:20241121T114400
UID:euroseas-2022-stagecraft-and-representation-of-cambodian-intangible-heritage
SUMMARY:Stagecraft and Representation of Cambodian Intangible Heritage
LOCATION:Room 3.07
DESCRIPTION:Over the last few decades, Cambodian performing arts have been 
 at the forefront of international initiatives sponsoring the restoration of
  arts as a symbol of cultural resilience in the aftermath of the 1970&#8217
 ;s war and genocide. In the meantime, artists, art associations, educationa
 l, and administrative institutions in Cambodia and in the diaspora concentr
 ate their efforts on promoting the traditional performing arts as heritage 
 while also building on them to set a scene for Cambodian contemporary arts 
 and negotiate national and cultural identities. In this context, how are id
 eas of culture and intangible heritage shaped? By whom and for whom? Throug
 h which processes? Under what constraints? Multiple actors, forms of power,
  and agencies contribute to the staging of Cambodian performing arts. In th
 is panel, contributors address the legacy of colonialism and the challenge 
 of definition of the Royal Ballet of Cambodia as world heritage (Lucie Labb
 é, CASE, France); the redefinition of patronages and modes of representatio
 n of the rural classical all-male drama, lakhon khol, in relation to social
  and political contexts (Stéphanie Khoury, Tufts University, USA); the arti
 culation of tradition and modernity in televisual and online performances o
 f wedding music and popular Bassac theatre (Francesca Billeri, La Sapienza,
  Italy); and the political mediation of heritage-related narratives through
  the memorialization of dissident poet and lyricist Kong Bunchhoeun (Matthe
 w Trew, University of Wisconsin-Madison, USA). Through these concrete examp
 les, this panel aims to illustrate and discuss some of the complex intersec
 ting factors that shapes intangible heritage in Cambodia today
URL:https://euroseas2022.org/panels/stagecraft-and-representation-of-cambodian-intangible-heritage
DTSTART;TZID=Europe/Paris:20220701T140000
DTEND;TZID=Europe/Paris:20220701T153000
END:VEVENT
END:VCALENDAR